Early Futurist paintings hold in common with Cubism the fusing of the past and the present, the representation of different views of the subject pictured at the same time, also called multiple perspective, simultaneity or multiplicity, while Constructivism was influenced by Picasso's technique of constructing sculpture from separate elements. In other countries Futurism, Suprematism, Dada, Constructivism, De Stijl and Art Deco developed in response to Cubism. The impact of Cubism was far-reaching and wide-ranging. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form-instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. A retrospective of Cézanne's paintings had been held at the Salon d'Automne of 1904, current works were displayed at the 19 Salon d'Automne, followed by two commemorative retrospectives after his death in 1907. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne. The movement was pioneered by Pablo Picasso and Georges Braque, joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Fernand Léger and Juan Gris. The term is broadly used in association with a wide variety of art produced in Paris ( Montmartre, Montparnasse and Puteaux) during the 1910s and throughout the 1920s. Cubism has been considered to be among the most influential art movements of the 20th century.

Cubism in its various forms inspired related movements in literature and architecture. It may also have been a way of establishing a distinction from what they believed to be a narrower definition of Cubism that Picasso and Braque practised.Cubism is an early-20th-century art movement which brought European painting and sculpture historically forward toward 20th century Modern art. It was a nod to the mathematics seen in geometric Cubism, since the name refers to the golden ratio, found in mathematics and occurring in nature, and which is supposed to be especially pleasing to the eye. Their subsequent exhibition a year later saw further artists joining and a new group name: the Section d’Or, which translates to 'the golden section'. The set were friends with the critic, Apollinaire, with the term first seen publicly here. The group’s joint exhibition at the Salon des Indépendants in Paris in October 1911 saw the first public exhibition of Cubism art. He was also friends with the artists in the group - Laurencin exhibited alongside him and they became firm friends.

While that may seem a bit harsh, let’s not forget Picasso was inspired by others too, and that many other people are inspired by and work within different movements. The group comprised of artists Jean Metzinger, Marie Laurencin, Fernand Leger, Robert Delauney, Henri le Fauconnier and Albert Gleizes, but neither Picasso nor Braque. The founders of the movement were Pablo Picasso and Georges Braque. The group met in the Puteaux suburb of Paris to discuss all things art, and in particular Picasso’s groundbreaking style. Cubism is an art movement that started in the early 20th century. Well, a group of artists formed a club to discuss this new art style, called the Puteaux Group. What did people think of Cubism when it debuted?

Cubism painting